Now showing at Cineworld Southampton Ocean Village, 4 Ocean Way,Southampton,Hampshire SO14 3TJ email@example.com 0871 200 2000
- American Sniper
- Ex Machina
- Into The Woods
- Kingsman: The Secret Service
- Taken 3
- The Theory Of Everything
American Sniper 4 stars
Born and raised in Odessa, Texas, Chris Kyle becomes a professional rodeo rider until injury forces him to reassess his priorities. He enlists with the military and his keen eye - nurtured by his father who taught him to hunt at an early age - sets Kyle apart as a sniper. During four tours of duty in Iraq, he gains the reputation as the most lethal sniper in American military history, with 160 confirmed kills to his name.
- GenreAction, Biography, Drama, Historical/Period, Romance, War
- CastBradley Cooper, Sienna Miller, Kyle Gallner, Luke Grimes.
- DirectorClint Eastwood.
- WriterJason Hall.
- Duration132 mins
- Official sitewww.americansnipermovie.com
Heroes come in many shapes and sizes. Born and raised in Odessa, Texas, Chris Kyle became a professional rodeo rider until injury forced him to reassess his priorities. He enlisted with the military and his keen eye - nurtured by his father who taught him to hunt at an early age - set Kyle apart as a sniper.
During four tours of duty in Iraq, he gained the reputation as the most lethal sniper in American military history, with 160 confirmed kills to his name. Such was his notoriety, the enemy nicknamed him "The Devil Of Ramadi" and put a sizable bounty on his head.
When Kyle eventually returned home, deeply scarred by clashes with insurgents and the deaths of his brothers in arms, he gradually regained his humanity and reconnected with his family by working with veterans suffering from post-traumatic stress disorder.
In a bitter twist, having survived Iraq, Kyle was killed by one of those traumatised veterans on a Texas shooting range. His achievements are celebrated in Clint Eastwood's impeccably crafted biopic, which opens on a rooftop in Iraq with Chris Kyle (Bradley Cooper) staring down a telescopic sight as a woman and her young son emerge from a building.
Tensions steadily cranks up as Kyle places his finger on the trigger. "They'll fry you if you're wrong," warns his compatriot Goat-Winston (Kyle Gallner). We rewind initially to Chris' childhood, where he learns how to handle a gun with his father Wayne (Ben Reed). "You're going to make a fine hunter some day," says the old man tenderly.
When dreams of bull-riding turn sour, Chris enlists and he meets Taya (Sienna Miller) in a bar. They marry and she raises their family alone while Chris fights overseas and attempts to outwit an elusive rival sniper called Mustafa (Sammy Sheik).
With each successive tour, Chris returns home unable to communicate effectively with his loved ones. "I need you to be human again," pleads Taya. "I need you to be here."
American Sniper unfolds from Kyle's fervently patriotic perspective and the lack of narrative balance might trouble some audiences. Eastwood is more interested here in the psychology of a father and husband than wading through the murky politics and morality of modern warfare.
Battle sequences are choreographed with meticulous precision and Cooper, who bulked up for the role, affects a drawl to perfection as he conveys the demons that haunt Kyle and drive him further from the people that love him the most.
Miller is solid in a meaty supporting role, reminding Chris of his responsibilities to his family as well as his country. "I'm making memories by myself. I have no one to share them with," sobs Taya. Kyle's memory is polished to a lustre by Eastwood's film.
Showtimes (Click time to book tickets)
- Tuesday 27th January 2015
- Wednesday 28th January 2015
- Thursday 29th January 2015
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Ex Machina 4 stars
Nathan is a talented computer programmer at a hi-tech firm run by the enigmatic Caleb. As part of a company-wide competition, Nathan wins a weekend at the CEO's remote island retreat, journeying to the lush paradise in a private helicopter. Once he gains entry, Nathan discovers he has been hand-picked by Caleb to take part in a ground-breaking experiment: to interrogate a functioning artificial intelligence prototype called Ava.
- GenreDrama, Romance, Science Fiction, Thriller
- CastAlicia Vikander, Oscar Isaac, Domhnall Gleeson, Chelsea Li, Corey Johnson, Sonoya Mizuno.
- DirectorAlex Garland.
- WriterAlex Garland.
- Duration108 mins
- Official sitewww.meet-ava.com
In the late 1970s and early 1980s, when the original Star Wars trilogy, Alien, Blade Runner and The Terminator peddled artificial intelligence as science fantasy, the reality of conscious machines seemed a distant dystopian nightmare. Today, with voice-activated personal assistants on our mobile devices, automated restaurants and sophisticated software tracking every keystroke, a world controlled by computers appears within our sweaty grasp.
For his bravura directorial debut, London-born author and screenwriter Alex Garland (The Beach, 28 Days Later) explores mankind's unquenchable desire to give birth to sophisticated automata that learns from its mistakes.
Shot largely within the confines of a state-of-the-art complex, which has enough fibre-optic cabling in the walls "to reach the moon and lasso it", Ex Machina is a deeply disturbing thriller that explores the murky moral ramifications of creating a robot that could pass for human.
Nathan (Domhnall Gleeson) is a talented computer programmer at a hi-tech firm run by the enigmatic Caleb (Oscar Isaac). Out of the blue, Nathan wins a weekend at the CEO's remote island retreat and journeys to the lush paradise in a private helicopter.
At the compound entrance, Nathan is issued with a security pass that he must carry at all times. Inside, he learns that he has been hand-picked by Caleb to take part in a ground-breaking experiment: to interrogate a functioning artificial intelligence prototype called Ava (Alicia Vikander).
"If you created a conscious machine, that's not the history of man, that's the history of gods!" gushes Nathan. The programmer is dumbstruck by Ava's beauty and her ability to respond intelligently to his questions. Very quickly, Nathan grows emotionally attached to Ava and he is distressed when she warns him not to trust Caleb.
The programmer's emotions are further complicated when he learns that Ava is the latest iteration of the CEO's secret work and will, by necessity, be scrapped to make way for a newer model.
Ex Machina exerts a vice-like grip on our attention, anchored by riveting performances from the central trio. Gleeson exudes sufficient sweetness and naivete to convince us he would be an unsuspecting pawn in Caleb's diabolical and ultimately deadly game. In stark contrast, Isaac bristles with machismo and menace as he voyeuristically documents Nathan's burgeoning attraction to Ava. "Did you design Ava's face based on my pornography profile?" Nathan cheekily asks his mentor.
Vikander, who studied at the Royal Swedish Ballet School, sets the screen ablaze with her deliciously ambiguous portrayal. Flawless visual effects blend seamlessly with her luminous performance to expose Ava's inner workings as she prowls her Perspex prison cell.
Like Nathan, we're bewitched by her as she devours knowledge and begs for help to avoid the scrapheap. There's no chance of Garland's gripping film suffering a similarly grim fate.
Into The Woods 4 stars
The Baker and his wife yearn for a child but cannot conceive. The Witch, who lives next door, promises the couple their heart's desire if they bring her four objects before the next blue moon: a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold. As the fated hour approaches, the Baker and his wife resort to increasingly desperate measures to source the objects.
- GenreAdaptation, Comedy, Drama, Family, Family, Fantasy, Musical, Romance
- CastChris Pine, Anna Kendrick, Meryl Streep, Mackenzie Mauzy, Billy Magnussen, Emily Blunt, James Corden, Daniel Huttlestone, Tracey Ullman, Johnny Depp, Lilla Crawford.
- DirectorRob Marshall.
- WriterStephen Sondheim, James Lapine.
- Duration125 mins
- Official sitewww.movies.disney.com/into-the-woods
Traditionally in fairytales, the bedraggled heroine wins her dashing prince, evil stepmothers get their comeuppance and abducted children escape the clutches of a witch by pushing the treacherous hag into her oven. Nothing epitomises Happily Ever After like the heady aroma of roasting human flesh.
Into The Woods keeps turning the pages on these archetypal characters, imagining what might happen as they come to terms with their actions and - in most cases - suffer the repercussions.
Light comedy and heartrending tragedy skip hand in hand in James Lapine's screenplay and Stephen Sondheim's music and lyrics, which are ambrosia for director Rob Marshall, who propelled the 2002 film version of Chicago to Oscar glory.
This has nearly as much razzle dazzle including gorgeous costumes, picturesque sets and digitally enhanced magical effects. Thankfully, Marshall tones down the swirling camerawork and snappy editing here, adopting a gentler rhythm, which is less exhausting on our eyes over two hours.
The Baker (James Corden) and his wife (Emily Blunt) yearn for a child but cannot conceive. The Witch (Meryl Streep) next door promises the couple a family if they bring her four objects before the blue moon: a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold.
The Baker and his wife head into the woods with six magic beans and encounter 12-year-old Jack (Daniel Huttlestone), who is off to market to sell his cow Milky White, Cinderella (Anna Kendrick), who is fleeing from a ball thrown by a charming Prince (Chris Pine), Little Red Riding Hood (Lilla Crawford), who intends to visit her Granny (Annette Crosbie) but would make a tasty snack for the lascivious Wolf (Johnny Depp), and Rapunzel (Mackenzie Mauzy), who is consigned to a tower which can only be accessed by lowering her flaxen hair to a smitten lover (Billy Magnusson).
As the fated hour approaches, the childless couple resorts to desperate measures to collect the objects for the Witch.
Into The Woods establishes its mood with a dazzling overture, "I Wish", elegantly introducing the characters before their fates intersect. Streep is typically spellbinding. Her voice soars and our hearts break in her solo to motherhood, "Stay With Me".
Corden and Blunt add to the film's emotional heft while Pine and Magnusson are hysterical as regal brothers in their chest-beating, thigh-slapping duet "Agony" atop a cascading waterfall. With such a large cast to juggle, the script occasionally feels disjointed and some gear changes from broad pantomime to heartbreaking grief are jarring.
But Marshall doesn't shy away from delivering bitter pills in the final act courtesy of a marauding giant (Frances de la Tour). Everything has a price, especially your heart's desire, so be careful what you wish for.
Kingsman: The Secret Service 3 stars
Gary Unwin, who is known to his friends as Eggsy, is on the downward spiral to drugs and crime. He is dismissed as a hopeless cause by everyone except agent Harry Hart, who believes Eggsy would make an excellent crime-fighting operative. So Hart takes Eggsy under his wing and enrols the young man in a gruelling training programme against more eloquent and refined peers.
- GenreAction, Adventure, Comedy
- CastColin Firth, Taron Egerton, Michael Caine, Mark Strong, Jack Davenport, Samuel L Jackson, Tom Prior, Mark Hamill.
- DirectorMatthew Vaughn.
- WriterMatthew Vaughn, Jane Goldman.
- Duration129 mins
- Official sitewww.kingsmanmovie.com
Directed at full pelt by Matthew Vaughn, Kingsman: The Secret Service is an outrageous James Bond-esque caper with an unpleasant and sadistic streak. This hare-brained tale about a secret organisation of impeccably tailored British agents dedicated to world peace lampoons the conventions of the spy genre with an arched eyebrow. "Nowadays, they're all a little serious for my taste," opines Colin Firth's lead operative about modern-day spy films, one of several self-referential winks in Vaughn and Jane Goldman's script. "Give me a far-fetched plot any day," he quips, and that's just what Kingsman delivers in spades. Unfortunately, the film also serves up a blitzkrieg of gratuitous on-screen barbarity. The violence doesn't support the plot, the plot is constructed to support as much wanton carnage as Vaughn can cram into each frame. This stomach-churning slaughter reaches a nauseating crescendo in a Southern church where Firth's good guy squares off against a congregation of brain-washed bigots, racists and homophobes, who apparently deserve to die in lurid close-up while Lynyrd Skynyrd's Free Bird strums on the soundtrack. The film was cut by UK censors to secure a 15 certificate but I wouldn't want my nephews, if they were 15 or 16, anywhere near Vaughn's giddy bloodbath. Gary Unwin (Taron Egerton), who is known to friends as Eggsy, is on a downward spiral despite an impressive IQ. He is powerless to stop his mother Michelle (Samantha Womack) suffering abuse from her boyfriend (Geoff Bell), and a spot of joy-riding leads to a brief stay in a police cell. Eggsy is dismissed as a hopeless cause by everyone except dapper secret agent Harry Hart (Colin Firth), who believes the young man has untapped potential as a crime-fighter. So Hart enrols Eggsy in a gruelling training programme against sneering posh lads Charlie (Edward Holcroft), Barnaby (Matthew William Jones) and Hugo (Tom Prior), and friendlier rivals Grace (Sophie Cookson) and Roxy (Alisha Heng). The recruits test their strength and guile in a series of challenges devised by gadget geek Merlin (Mark Strong). Against the odds, Eggsy shines brighter than some of the supposed creme de la creme and when technological wizard Valentine (Samuel L Jackson) and his blade runner henchwoman Gazelle (Sofia Boutella) threaten mankind with a radical solution to climate change, Eggsy puts his training to good use alongside his stiff upper-lipped mentor. Kingsman: The Secret Service leaves an exceedingly nasty taste in the mouth that is difficult to shake, garnished with crude sexism in the closing frames. Firth is a debonair action hero, contrasting sharply with Egerton's bad boy from the wrong side of the tracks. Jackson has fun with his lisping megalomaniac, who gags at the sight of blood. If we did the same watching Vaughn's undeniably stylish film, we'd all need urgent medical assistance inside the first 20 minutes.
Paddington 4 stars
A young Peruvian bear with a passion for the British heads to London in search of a new home. At Paddington train station, he meets a boy called Jonathan Brown and his parents, who offer the lovable creature, christened Paddington, a temporary haven. At large in a strange city, Paddington wreaks havoc in the Brown household. Then an evil museum taxidermist named Millicent glimpses the wondrous bear and realises that he would make the most perfect addition to her collection.
- GenreAdaptation, Comedy, Drama, Family, Family
- CastHugh Bonneville, Sally Hawkins, Julie Walters, Michael Gambon, Ben Whishaw, Nicole Kidman, Imelda Staunton.
- DirectorPaul King.
- WriterPaul King.
- Duration95 mins
- Official sitewww.paddington.com
More than 50 years after he first appeared in print, author Michael Bond's beloved bear Paddington has finally arrived on the big screen in his first star-packed family adventure. Upcoming director Paul King's film lovingly weaves the traditional tenets of the duffel-coat wearing bear's story into a modern narrative.
Like the books, the film starts in deepest, darkest Peru, where a well-mannered three-foot bear (voiced by Ben Whishaw) lives with his elderly Aunt Lucy (Imelda Staunton) and Uncle Pastuzo (Michael Gambon). In their youth, Lucy and Pastuzo were visited by a kindly English explorer who left his red hat with his furry friends.
When their home is threatened, Aunt Lucy packs her nephew off to the safety of London to track down the explorer, who has promised that there will always be a home for them in the capital.
Of course, after sailing the oceans in a boat filled with supplies of his treasured marmalade, the bear finds London isn't actually that friendly. In fact it's pretty miserable what with the drizzly weather and glum commuters pushing and shoving their way out of Paddington station and ignoring his pleas for a home.
"Sorry, we haven't got time for this," cries worrywart Mr Brown (Hugh Bonneville), while his moody daughter Judy (Madeleine Harris) exclaims she's "embarrassed" to be near the small grisly, who has a 'Please look after this bear' sign around his neck.
Luckily, warm-hearted Mrs Brown (Sally Hawkins) and son Jonathan (Samuel Joslin) vow to take the furry chap home for the night. Naming him Paddington after the station where they found him, the Browns introduce their guest to kindly housekeeper Mrs Bird (Julie Walters).
But disaster soon strikes when Paddington tries to freshen up in the bathroom, resulting in a flood, two earwax-stained toothbrushes and a sharp telling off. Determined to find the explorer, Mrs Brown takes Paddington to see her friend Mr Gruber (Jim Broadbent), an antiques dealer who might have clues to his existence.
In doing so, they attract the attention of cranky curtain twitcher Mr Curry (Peter Capaldi) and a slimy associate of villainous taxidermist Millicent (Nicole Kidman) who is hell-bent on "stuffing that bear". With Millicent determined to get her mitts on Paddington to display him in the Natural History Museum, the Browns find themselves on a humdinger of a cat and mouse chase to try and keep their furry friend safe.
As comforting and sweet as Paddington's beloved marmalade, King's delightful adaptation has heaps of heart and enough humour and carefully plotted cameos to ensure everyone more than grins and bears his adaptation.
Taken 3 3 stars
Ex-government operative Bryan Mills has put the past behind him and is looking forward to an overdue reconciliation with ex-wife Lenore and daughter Kim. Their happiness is cut short when Lenore is brutally murdered and Bryan is framed for the heinous crime. Determined to clear his name and unmask the real culprit, Bryan goes on the run with the CIA, FBI and police led by Franck Dotzler in hot pursuit.
- GenreAction, Thriller
- CastFamke Janssen, Liam Neeson, Maggie Grace, Forest Whitaker, Leland Orser, Dougray Scott, Sam Spruell.
- DirectorOlivier Megaton.
- WriterLuc Besson, Robert Mark Kamen.
- Duration109 mins
- Official sitewww.taken3movie.com
History repeats with predictably calamitous consequences in Olivier Megaton's high-octane thriller Taken 3. In previous films, former Special Forces operative Bryan Mills (Liam Neeson) single-handedly brought down an Albanian human trafficking ring and its underworld offshoots. He left devastation and an impressive double-digit body count in his wake.
Surely, the east European criminal fraternity would have learnt that Mills and his family are off-limits. Alas, the Russians haven't received that memo because they foolishly try their luck against the hulking avenger in this frenetically edited instalment.
Scriptwriters Luc Besson and Robert Mark Kamen attempt to convince us that the third film is different from its predecessors by engineering a murderous twist that transforms good guy Bryan from righteous hunter into wanted fugitive. However, once the turbo-charged car chases and bruising fisticuffs begin in earnest, Taken 3 eases back into a familiar bloodthirsty groove.
As the film opens, Bryan is playing doting father to his grown-up daughter Kim (Maggie Grace), who is settling down with her boyfriend (Jonny Weston). Ex-wife Lenore (Famke Janssen) continues to question her marriage to second husband, Stuart St John (Dougray Scott), and Bryan gives her a key to his flat if she needs to get away.
Soon after, Bryan returns home to find Lenore in his bed with her throat slit. He's the prime suspect and manages to escape local police so that he can call Kim and deliver the bad news about her mother.
"Someone murdered her in my apartment. It looks like I did it," Bryan confesses. Determined to clear his name and unmask the real culprit - tattooed kingpin Oleg Malankov (Sam Spruell) - Bryan goes on the run from the CIA, FBI and police led by Detective Franck Dotzler (Forest Whitaker).
"This is going to end badly for you," yelps one officer during a chase.
"Don't be such a pessimist," deadpans Bryan, who risks everything to exact his bone-crunching brand of justice with the help of retired CIA pals Sam (Leland Orser), Bernie (David Warshofsky) and Casey (John Gries).
Taken 3 delivers a cacophonous conclusion to the franchise that has reinvented Neeson as a big screen action star. Megaton orchestrates the set pieces with brio, sacrificing plausibility at the altar of increasingly outlandish thrills and spills.
Whitaker lends gravitas to his underwritten role as the canny cop, who begins to doubt Bryan's guilt, while Neeson barks his perfunctory dialogue with aplomb. "How did I escape?" he growls at one juncture, cueing a cheeky flashback that explains his miraculous survival of a flaming car wreck.
The leading man's ability to evade certain death becomes a delicious and unintentional running joke. On this evidence, nothing short of a direct hit from a nuclear warhead could stop him. Taken 4 A Ride is surely just a matter of time.
The Theory Of Everything 4 stars
Theoretical physicist Stephen Hawking falls head over heels in love with English literature student Jane Wilde at 1960s Cambridge University. Their fledgling romance is tested by his diagnosis with motor neurone disease. Stephen's parents Frank and Isobel try to warn Jane off their son, fearful of emotional devastation that will be wrought if he dies within the two years predicted by doctors. However, she defies everyone, determined to love Stephen for as long as they are together.
- GenreAdaptation, Biography, Drama, Romance
- CastEddie Redmayne, Felicity Jones, Charlie Cox, Emily Watson, Simon McBurney, David Thewlis.
- DirectorJames Marsh.
- WriterAnthony McCarten.
- Duration123 mins
- Official site
In Scottish novelist JM Barrie's most beloved work, Peter Pan famously contemplates his mortality on Marooner's Rock and observes, "To die will be an awfully big adventure". For more than half a century since he was diagnosed with motor neurone disease, theoretical physicist Stephen Hawking has - happily - pushed aside his awfully big adventure and astounded the medical community.
Defying the short life expectancy associated with the rare condition, he has married twice, raised a family and altered our narrow perception of the universe including the publication of his worldwide bestseller, A Brief History Of Time.
As Hawking remarked at a press conference in 2006, "However bad life may seem, there is always something you can do, and succeed at. While there's life, there is hope." Those inspirational words are repeated verbatim in The Theory Of Everything.
Based on the memoir Travelling To Infinity by Jane Wilde Hawking, James Marsh's deeply moving drama charts the romance of Stephen (Eddie Redmayne) and first wife Jane (Felicity Jones) from fleeting glances at a party at mid-1960s Cambridge University through their subsequent battle against MND.
Stephen's parents Frank (Simon McBurney) and Isobel (Abigail Cruttenden) initially warn Jane off their son, fearful of the emotional devastation that will be wrought if he dies within the two years predicted by doctors. "It's not going to be a fight, Jane. It's going to be a very heavy defeat, for all of us," laments Frank.
Love must find a way and Jane defies everyone, even a pessimistic Stephen, to stand beside her soul mate. "I want us to be together, for as long as we've got," she tells him. "If that's not very long then - well, that's just how it is."
Her resolve inspires Stephen to continue his search for "one single elegant equation to explain everything". Aided by choirmaster Jonathan Jones (Charlie Cox) and carer Elaine Mason (Maxine Peake), Jane raises the couple's three children and holds their marriage together.
The Theory Of Everything is anchored by two of the year's best performances. Redmayne is simply astounding, affecting a mesmerising physical transformation that surely warrants an Oscar. He brilliantly conveys every raw emotion or flash of impish humour with his eyes or the twitch of a facial muscle.
Jones is equally compelling as his soul mate, who sacrifices everything in the name of love. The scene in which she finally acknowledges hard-fought defeat to save the relationship and tearfully tells Stephen, "I have loved you... I did my best," is heartbreaking.
Director Marsh uses simple visual motifs to illuminate the complex cosmology, such as a swirl of cream in a cup of coffee to represent a spiral galaxy in Stephen's mind. With its delicate balance of tear-stained drama, deeply felt romance and comedy, The Theory Of Everything hits upon a winning formula.