If this story didn’t have enough twists and turns, LOPSOC gender-reversed the cast of this otherworldly production of politics, mayhem and, of course, love, and it was pure genius.
The rocker-clad and sensitive fairies contrasted with the ball-breaking peers and the subtle script changes integrated seamlessly.
This particular Gilbert and Sullivan requires razor-sharp delivery of many of the lines in order to release the humour and I’m pleased to say that this was achieved with aplomb, especially by the Lady Chancellor (Rachel Waring) leading her destruction (for this is the collective noun) of claws-drawn cats/peers.
Opposing is the Fairy King (Alexander Conway), who possessed great stage presence and a hypnotic voice.
Stephanie (Abigail Smith), half-fairy, half-mortal, gave a wholehearted performance and her voice paired well with Philip (Barnaby Wilson).
Lady Mountararat (Jennifer Riggs) and Lady Tolloller (Bridie Strachan) were also great fun, especially their two-faced stand-off and Private Willis (Rhiannon Creffield) should be mentioned for her vocals.
Drawing it together was some effective lighting and a comprehensive orchestra, who were a little overpowering during some of the solos, but the venue is a challenge.
Worth a look!
REBECCA CASE
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