Chekhov’s short play was written in 1888 and has been performed ever since.

Eleanor Popova is still in mourning, seven months after her husband’s death, to the despair of footman Luka.

April Napper very effectively captured the spirit of the widow, wallowing in self-pity.

The arrival of misogynistic landowner Grigory Smirnov annoys her as he demands immediate settlement of an old debt.

Told he must wait for two days, Smirnov decides to sit it out.

Harry Gedge is also impressive here and, after much bickering between the two, we see both protagonists abandon their antagonistic, stance in an unexpected turn of events.

As Luka, Liam Brown has a real talent for silent comedy, his facial expressions making every appearance watchable.

Jennifer White’s costumes and set gave the trio plenty to interact with and producer/director Jamie Ann Templeman deserves praise and encouragement but, unfortunately, the clever script, very well-delivered, failed to raise more than the odd chuckle.