WHEN Gaslight was first produced in 1938, it was described by Theatre World magazine as: “a study in sustained terror”.

Now, more than 70 years later, the play remains a compelling psychological thriller, tightly constructed, crackling with tension and suspense from explosive start to satisfying finish.

Set in a 19th century London house with a ticking clock and flickering gaslights, a helpful spiral staircase leading up to bedrooms and down to the servants’ quarters, seemingly respectable Mr Manningham hides deadly secrets.

As the suavely nefarious Manningham, Daniel Pirrie is utterly mesmeric.

Playing his innocently fragmenting wife, Laura Pyper conveys a rich mix of emotions.

The two servants – deliciously convincing performances by Maggie McCarthy and Gemma Lawrence – contrast mature wisdom with provocative impertinence.

Vastly experienced Shakespearean and TV actor Joseph Marcell plays the determined detective with panache and relish.

Driving this wonderful production is the superbly atmospheric lighting by Tim Mitchell, and the eloquently subtle music by Blair Mowat, underlining and reinforcing the dramatic and emotional nuances.

Written by the often underrated novelist and playwright Patrick Hamilton (who also wrote the chillingly macabre Rope – later filmed by Alfred Hitchcock) Gaslight retains its marvellous ability to hook and hold an audience.

Salisbury Playhouse continues to deliver brilliant productions. And with the most comfortable theatre seating in the south, an excellent restaurant and bar, friendly and helpful staff, why would anyone want to hack up to London theatres?

Gaslight runs until March 1.