THERE are no boys in tights or girls in tutus here. But do expect to see pyjama-clad cupids, gobstoppers, Liquorice Allsorts and a Knickerbocker Glory when you are transported to Sweetieland.
Matthew Bourne sets out to transform the traditional tale of the Nutcracker into a modern day fairytale, a feat he achieves in superb style. Our heroine Clara lives in a Victorian home for waifs and strays, under the appalling guidance of evil Dr Dross. Clara falls in love with a toy soldier, the Nutcracker, left by visitors to the orphanage, only to have him cruelly taken from her by Sugar, the daughter of Dross.
The toy comes to life and the incredible dream sequence begins. The drab interior of the children's bedroom becomes a winter wonderland festooned with brilliant dancers clad in brilliant costumes.
Distraught Clara is led to the gates of Sweetieland, but her entrance is blocked by a menacing humbug. Now this really is the stuff of dreams. Pink lady marshmallows spin and jump around an enormous heart made up of roses while the sweeties manoeuvre around the candles on a giant cake.
The wedding between the Nutcracker and Sugar seems set to go ahead, until the wonderfully mischievous cupids have their way. Our heroine has a lot to overcome before eventually getting her man - and escaping the constraints of the orphanage in spectacular fashion. This is all set to Tchaikovsky's glorious score, unfortunately recorded in advance by the Royal Philarmonic Orchestra rather than played out in the pit, but sensational nonetheless.
I would hardly describe myself as a traditionalist in ballet terms and purists may not be as impressed. But I believe this to be the future of ballet - and a very bright future indeed. After 115 years, this modern day version of The Nutcracker retains every bit of its magic and power to transport us to another world. It's the ultimate in escapism.
Matthew Bourne's Nutcracker runs until Saturday. Box office: 023 8071 1811
